Yaya za a kunna Piano? Ta yaya za a koyan wasan a kan Piano a cikin lambobi? Darasi da wasan horo don Piano daga sifili don masu farawa a gida

Kasancewar a gidan Pianno sau da yawa yana motsa masu su horar da 'ya'yansu ko jikokinsu zuwa wasan. Amma manya kansu ba su damu ba don yin karin karin waƙoƙi a kan wannan kayan aikin don jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin jin daɗin yarda da baƙi. Ka yi la'akari da ko yana yiwuwa a fayyace sha'awar kifayen su tare da darussan masu zaman kansu a gida, idan babu wani rabo zuwa wasan akan Piano.

Kuma da farko duk abin da kuke buƙatar koyon yadda za ku zauna a bayan kayan aiki.

Yadda za a zauna don Piano?

Matsakaicin saukowa na Pianist shine mabuɗin zuwa tsarin ilimi na nasara, daga abin da ya kamata a samu kawai jin daɗi a cikin jin zafi a baya, wuya, kafaffun kafaɗa.

Duk wani rashin jin daɗi a cikin horo, yana haifar da ciwo mai rauni, wata alama ce bayyananniya na kurakurai da sarrafawa.

Gama azuzuwan da za su kasance cikin kwanciyar hankali-wuri, ya zama dole a yi yanayi 3 don wannan.

1. Gayyato daidaitawa Kuma kafa kayan kida.
2. Karba stool dace (BIGQEET) ko siyan Helikal don Panancin Piaan tare da zagaye zagaye a tsayi. BANQUETE, samun ra'ayi na benci tare da wurin zama na murabba'i, kuma ya fi kyau bincika tare da tsayin daka.
3. Sayi zaɓin littafin aƙalla koran koran na Piano . Waɗannan litattafan suna koyar da farawa kamar bayanin kula da lambobi. Hakanan akwai ayyukan duniya, yana ba da damar don zaɓar hanyar da ake so - ko dai m ko dijital ko duka tare.

Shugaban na yau da kullun ba tare da canza tsawo na wurin zama ba su dace da koyo ba. Wannan yana da muhimmanci musamman ga yara - suna girma koyaushe. Ko da kuma haifar da benci mai dadi ga yaro a yau, zai zama da yawa a cikin wata daya.

Amma ya kamata a ɗauki manya don zaɓar zaɓi. Yawan saukowa zasu tilasta canza matsayin canza matsayin hannun hannun hannu zuwa matsayin da ya wuce matsayin, daga abin da yake da wahala ka ɗaga yatsunsu ka latsa makullin. Tare da low saukowa, dole ne ka kai makullin da sanya goga ya yi ƙasa, wanda zai iya haifar da ƙwayar tsoka.

Muna lissafa manyan abubuwan saukowa don kayan aiki, waɗanda aka ɗauka daidai ne don Novice Pianist.

Yakamata a sanya kujera a gaban keyboard a kan cibiyar sa. Anan ne kawai ka fara makullin 1. A fagen hannun hagu na hannun hagu shine rabin ƙananan maɓallan maɓallan (a gefen hagu na hannun dama), kuma a cikin sashin hannun dama - kimanin makullin hannun dama na mabuɗin tare da mafi girma sauti.

Amma ga nesa daga keyboard na Piano zuwa kujera, sannan a wannan yanayin babu wani misali bayyanannu, ban da shawarwarin gaba ɗaya.

Kowane mutum yana da nasu fasali na mutum-mutum wanda ba a iyakance shi ba ga farashin girma kawai da girma dabam.

Tare da daya girma a cikin mutane biyu za su iya zama alamomi daban-daban na cin zarafin na jiki, kafaffun kafa, hannaye, goge da yatsunsu. Waɗannan siffofi ne na ci gaba kuma suna bayyana ga Pianist lokacin da ya hau zuwa Piano.

Ta yaya nesa da keyboard dole ne ya kare kan kujerun mawaƙa, wanda aka ƙaddara ta hanyar waɗannan wurare na sassan hannu da kafafu:

• saukowa - A gefen kujera (1/3 ko 1/2 daga wurin zama na wurin zama);
• ƙasussuwan jiki - Mace (siriri makami);
• Idan ka ja hannayenka gaba, Don haka dole ne su huta a farkon maɓallan makullin (daga gefen ficewa na gidaje);
• kafada suna cikin yanayin annashuwa, ci gaba da kyau, kuma a lokacin wasan baya motsawa;
• Distance tsakanin Ananci Pianist da Piano keyboard Aƙalla 30-40 cm, wanda ya dogara da tsawon hannun mutum;
• kafafu Dole ne mu tsaya a gaban matakan, kwatangwalo tare da bene sun kusan layi daya, kuma tare da batun zama na mawaƙa a ƙarƙashin kafafu).

Kuma yadda za a shirya hannaye - wannan tattaunawar ce ta daban da ke buƙatar kulawa ta musamman.

Yadda za a yi hannaye?

Hannu don wasa a kan Piano shine babban abin da za ku iya kimanta daidai dacewa a cikin tsayi da nesa na matattara daga kayan aiki daga kayan aiki.

Mun jera ka'idojin don dacewa da pianist.

1. Hannun hannu sun rataye ƙasa kuma suna tare da gunkulo da goge a matakin keyboard (ko dan kadan sama). Koyaya, ƙwararraki kada su taɓa ko kuma cuddle ga jikin wasa - yakamata a sami sarari kyauta tsakanin su da jiki. Amma manyan wuraren gwiwar gwiwar hannu a cikin shugabanci ba su da karba.
2. Ya kamata a riƙe sassan hannu daga kafadu zuwa gwiwar hannu a yankin iyakar gefe . Ba sa tura gaba a gaban jiki, wanda ke faruwa a cikin waɗannan lokacin da ba a so lokacin da mawaƙa ta karkace a bayan kujera, ko kuma, akasin haka, baya tare da wuce gona da iri zuwa keyboard.
3. Yatsunsu suna buƙatar koyon shakata, Guji matsanancin tashin hankali a cikin su, har ma da aka matsa akan makullin, kar a ambaci lokacin lokacin da suke keɓewa.
4. Yatsun 'yan yatsun suna sama da keyboard a cikin Semi-lanƙwasa (zagaye). A wannan fom, sune sun fi zama masu annashuwa (matsayin na halitta na goga da yatsunsu, wanda tsokoki ya rage shi kaɗai).
5. Latsa maɓallan "pads" (nasihun laushi) na yatsunsu. A lokaci guda, bai kamata a ciyar da yatsunsu a cikin gidajen abinci ba.

Abu mai mahimmanci ga lokacin farawa lokacin kunna: Mayun da ake so yana yin yatsa har sai da dakatarwa, da yatsun da ba sa wasa ne da yardar kaina a cikin yanayin annashuwa.

Yatsun kyauta ba su rataye akan mabuɗin ba, amma suna kwance a kansa ba tare da ƙirƙirar ƙarin damuwa don kunna yatsunsu ba.

SANARWA DA KYAUTA DA KYAUTA

Makullin samfuran zamani na Piano ya ƙunshi makullin 88, wanda fari ne, da 36 - baki. Hakanan ana kunshe da adadin makullin iri ɗaya cikin Piano - misali ne na Piano. Koyaya, Piano Piano, wanda aka saki kafin 70s na karni na 20, maɓallin keyboard 85 (50 fari da 35 baƙi). Daga baya, Piano ya fara samar da cikakkiyar maballin tare da Piano.

Da ke ƙasa akwai hotunan faifan maɓallin Piano guda biyu tare da rabuwa ga octaves:

• Babban keyboard - Maɓallan 88 (cikakke);
• Nizhny - 85 (Babu daidaitawa).

Piano keyboard ya ƙunshi kewayon sauti a cikin 7 Cikakken octave, farawa da bayanin kula "don" counter-tank da ƙare tare da oman leken asiri na 4. Har yanzu akwai makullin 3 a cikin ƙananan rajista, da sauti wanda ke ƙarƙashin Subcontrolva (mafi ƙarancin bayanin Piano): "La-Diez" da "Si". Wato, subconrobtava bai cika ba - sautuna 3 kawai.

Akwai kuma bai cika occava ba A cikin babban rajista - 5th. Gaskiya ne, ya ƙunshi sauti guda ɗaya "zuwa". Bayanin kula "zuwa" octave na 5 shine mafi girman bayanin kula na kewayon wannan kayan aikin kiɗan.

Ra'ayi "octave" A kiɗa, akwai sauti mai sauti ko tazara wanda ya hada da 8 (takwas, takwas, takwas daga kowane bayanin kula iri ɗaya da sunan, amma samun wani tsayi . Misali, bayanin kula "har zuwa" 1 octave na cikakken ba da izini sosai tare da bayanin "har zuwa" omeve na 2ve ko bayanin "har zuwa" ƙananan ocve, amma yana da bambanci daga gare su a tsayi. Hakanan ana iya faɗi game da kowane bayanin kula: "Si" na 1) na ucvetant tare da "Mi" Mi "na uctave, da na 3 optory da 4th ocve da sauransu. A cikin kowane biyu na idan aka kwatanta bayanin kula, bambanci a tsayi shine octave ɗaya (daidai da sautuna 6). A lokaci guda, bayanin farko shine 1st, da wasan karshe - mataki na 8.

Jerin sautunan kiɗa "pre-re-Fa-Fa-FA-FA-FA-FA-Si" ana kiranta babban M . Ana dawo da waɗannan sauti ta hanyar latsa maɓallan farin Piano.

Bayanan kula da babban mai magana, al'ada ce ta rarrabe duk wuraren da ake samarwa akan Piano da sauran kayan aikin.

Duk wani octave - 1st, 2, babba da sauran - wasu - suna farawa da bayanan "zuwa", kuma ya ƙare tare da maballin da ke tsaye zuwa dama. Subconrobtava, wanda yake daga gefen hagu, ya ƙunshi maɓallan farin 2 kawai, wanda aka fitar da saututtukan ƙarshe - "LA" da "Si". Kamar yadda ya riga ya lura, subconrobtava bai cika ba.

Hoton da ke ƙasa yana nuna wani ɓangare na piano keyboard tare da sunan bayanin kula. Zane yana da sauƙin fahimtar abin da kawai yace.

A cikin ka'idar maru tsakanin tsayi biyu cikin tsayi, an ɗauke shi mafi ƙarancin tazara. Wannan doka ce da ake yi ta aiwatarwa. Kayan kida, gami da Piano, wanda aka kera kuma a daidaita saboda sautinsu na iya canzawa a tsayin wannan tazara. Idan Piano ya shiga dukkan makullin (da fari, da baki) daga hagu zuwa dama, to kowane ma keyon inganta sautin da suka gabata daidai.

A cikin kowane oction, 7 fararen kerys 7 an haɗa tare da sauti na babban nau'in kwayoyi (daga "" zuwa "si" da aka haɗa) 5 baƙi. Makullin baƙar fata shine rabin abubuwa daga sauti. Kuma bayanin kula da makullin baƙar fata suna da suna 2 samo asali daga wadancan bayanan tsakanin waɗanda suke. Misali, sautin maɓallin baƙar fata wanda ke tsakanin "Har zuwa" Re "makullin ko dai" pre-Diez "ko" sake-bembol ".

• Kafa (#) - Wannan alamar kiɗa ce wacce ke nufin karuwa cikin sauti zuwa rabi. A cikin misalinmu, bayanin kula "kafin" a kan fararen farin "mai tsabta" na babban mai magana, kamar yadda yake daga hannun "tsabta" mai tsabta ".
• Bimol (b) - wata alama ce, akasin haka, yana nufin cewa rabin ɗaya ko wani rabin rabin. A cikin lamarinmu, maɓallin bakar fata yana hannun hagu (yana nufin a ƙasa rabin sauti) daga bayanin kula "Re" ga suna "tsarkakakken kalmar" tsarkakakken "bayanin".

Babu makullin baƙi tsakanin sautunan don haka sauti "- C" - "zuwa" da "MI" - "FA" na baƙar fata shine cikakke daga cikin waɗannan bayanan. Yana da kyau kuma don mafi kyau - mawaƙin yana da sauƙin kewaya a cikin octaves, da samun irin wannan "tsibirin" na baƙar fata a cikin cigaban farin ciki.

Sunaye sama da sunayen duk maɓallan baƙar fata, kuma sauti na manyan sautunan Latin an ƙara:

1. bayanin kula "kafin" an sanya shi da harafin C;
2. "Sake" - d;
3. "Mi" - e;
4. "FA" - F;
5. "Giji" - G;
6. "La" - a;
7. "Si" - b (wani lokacin h).

Wadannan haruffa ana tsara su Chords da aka kirkira bisa ga manyan sautunan. Idan, babban sautin (tonic) na bayanin martaba "kafin", to, an nuna Chords "FA", yana nufin, yarjejeniyar - F.

Wajibi ne a fahimta: kamar dai lura akan maɓallin baƙar fata, kuma ba a kira shi ("pre-diz" ko "sake zama bembol"), sautin da kansa ba ya canzawa.

Masana sun yi imanin cewa a karon farko wasan game da Piano baya buƙatar rush don yin nazarin wasikar kiɗa don kada ya mamaye kan bayanan. Fara nan da nan daga hannun kuma dokokin farfadowa da sauti. Amma yana da kyau kawai gaskiya ga kananan yara sun shiga malamai. Ga duk sauran, mafita ta dace za a haɗa da takardar kiɗan kiɗa, kuma al'adar wasan akan kayan aiki.

Partyungiyar Piano an rubuta ta akan bayani biyu:

• A cikin maɓallin "gishiri", wanda ake kira "violin", lasafta shi galibi don wasan karin waƙoƙi da kuma kuri'un matsakaici tare da yatsunsu dama;
• A cikin maɓallin Bass "FA" da aka yi niyya don hannun hagu.

Na farko, ya zama dole a yi nazarin bayanan kula a cikin omcen 3-4, farawa da babban octave da ƙare tare da tsakiyar 2nd. Bugu da kari, Haɗa da Aiki: Kunna bayanan hannun hagu tare da karamin occeve zuwa farkon, sannan ya ci gaba da yatsun hannun dama:

Tsawon lokacin kula na iya zama mafi bambanci. Ga masu farawa, yana da daraja wajen iyakance wannan da nan kusa:

• duka lura (Loads 4 scores: "Sau ɗaya ko biyu zuwa uku ko huɗu;
• Rabi (Asusun 2 na karshe: ko dai "sau ɗaya ko biyu ko biyu ko biyu ko uku" uku ko "uku-hudu);
• Rubu'i (Yayi daidai da asusun 1 kawai: "sau ɗaya" ko "biyu", "Uku" ko "hudu").

Ta yaya za a koyi yin wasa da karin waƙoƙi masu sauƙi?

Kafin koyon wasa ko da karin waƙoƙi mai sauƙi, ya zama dole a yi aiki tare da makamai da kuma umarnin haɓakawa da Arpeggio: zuwa ga babba, la kaɗan. Ga ɗalibai daga karce, nazarin Ham yana da matukar taimako, inda yatsunsu aka ƙaddara jerin yatsunsu ta lambobi.

Yatsun hannun biyu an tsara su kamar:

• Babban yatsu - lambobi 1;
• Index - 2;
• Matsakaita - 3;
• Ba a faɗi ba - 4;
• MIZINSY - 5.

Yanzu misalai na Gamm:

Odar wasan shine:

1. Na dabam, gamma an koya: zuwa babba, sannan zaɓuɓɓukan don ƙarami;
2. Arpegio ya taka leda (2nd da na 5 na bayanai);
3. Wasan kwaikwayon Chord (Consonant ƙare na 1st da na 4 na layi);
4. Hiefen Gamma na sama 1st Lines 4th tare da Chords;
5. Wasan gamma tare da hannaye biyu: hagu - ƙananan ocve, dama - da farko (a hadis).

Bayan fahimtar tare da gamma, Arpegio da Chords, da aka buga daban, sannan hannun dama, kuna buƙatar ƙoƙarin ɓoye gamma tare da wasan lokaci guda tare da biyu. Kafin na farko ocveve, ana buga su tare da hagu hannun ta, sannan kuma - tare da yatsun dama.

Yanzu zaku iya ƙoƙarin yin karin waƙoƙi na masu sauƙi.

Ba kwa buƙatar ɗaukar misalai na dogon kiɗan, da kuma wasa, sautin wanda yake da sauri da rikitarwa. Soul na ƙawane ko kyawawan abubuwan da ke cikin jinkirin.

Yara za su yi sha'awar yin waƙa daga zane-zane:

Nawa kuke buƙata?

Ga manya, farkon koyan wasan akan Piano na iya ɗaukar lokaci yana da muhimmanci kasa da yara, musamman ma yara (shekaru 6-8). Gaskiyar ita ce, manya na iya fara wasa kai tsaye akan bayanan kula. Yara za su koyi tsawon lokaci don tarihin rubutu, tunda suna buƙatar kusan duk ka'idar don bayyana a zahiri "akan yatsunsu" a kan waƙoƙin Ilimi waɗanda ba a so su iya zama da ikon samun kansu).

Amma abin da zai kasance a akasin haka: a cikin yara da lokacin ƙarin don azuzuwan azuzuwan, da kuma yatsun filastik sune filastik, kuma kunne yana tasowa da sauri . Matsaloli tare da filastik da hankali na yatsunsu a cikin manya su ma sun zama kaifi tare da shekaru. Mutumin da yake ƙarƙashin shekara 30 ya fi inganta shi a cikin ilimi na kiɗa fiye da 40 ko 50.

Amma ga takamaiman lokacin koyo, sun dogara ne da ƙarfi da kuma sha'awar mutum: horarwar farko - daga watanni 3. Har zuwa shekara guda, kuma kowane matakin mai biyo baya daga 1 zuwa 1.5.

Yaya za a motsa kanka?

Panstan Pianist mai farawa dole ne ya motsa sakamakonsa na koyonsa. Idan ba sa son sa, yana nufin cewa wani abu ba daidai ba. A wannan yanayin, kuna buƙatar ɗaukar waɗannan ayyukan:

1. Tuntuɓi mawaƙa masu ƙwararru don taimako a hannu da gyarawa (Wani lokaci wasu 'yan darussan kaɗan ke gyara komai, kuma yanayin yana inganta);
2. Duk da lokaci guda kawai aka fi so karin waƙoƙi, wanda ba a saukar da bayanin kula akan Intanet ko da a mafi sauki sigogin;
3. Don sauraron shahararrun masanan masu motsa jiki a cikin waɗancan nau'ikan da yawancinsu: Idan kuna son litattafan almara - Nemo Piansts na Classic Jagora, idan Jazz alama ce ta Jazz da sauransu;
4. Wani lokaci kuna buƙatar rubuta game da wasanku ga Media , sannan na bincika kurakurai tare da kara;
5. Kullum ya kamata koyaushe ku gwada koyon makwannin ba kawai don kanku ba, amma kuma ga wasu: 'Yan'uwansa da abokansa, abokai da budurwai, waɗanda zaɓin kiɗansu ba su da wahala su gane kansa.

More ayyuka tare da motsa jiki da gamma, lokacin wakar hannu don dangi da abokai, wasan don phonogram zai taimaka kawar da "handra" da kuma ci gaba azuzuwan.