The basis of any musical instrument is the melody, and the base of the melody are notes. To not only learn to play a synthesizer, but also be able to compose music, it is important to distinguish different types of chords.
Major chords
Chords are most often a sober, but there are also such that consist of four or more notes. Major sounds come from Gamma to D Major. With their help you can play in front, merry music. For beginners, the trusnia is better. To understand how they are playing, you need to understand the structure of the chord. It is best to take the most common - pre-Mi-salt.
- The note "before" is the main thing in this sober and asks a tonality. Playing either the little finger of the left hand, either with a big finger right.
- "Mi" is called a major policy, because it ranks third in the sober relations relative to the entire range: up to re-mi. Playing the middle finger regardless of which hand is owned by a musician.
- Finally, "salt" - Quinta. Its tonality is increased by seven halftone, and it completes the chord.
The initial major gammam also includes a salt-major, Si-Bömbol. Their chords will look like this: Sal-Si-to (second octave) and Si-re (second octave) -food diges (second octave).
To learn how to play chords on a synthesizer, it is better to acquire a tool with an auto accompaniment. This will allow you to better figure out the arrangement of the sober, and will also simplify the learning process. Chords are always played with their left hand, while the main melody is right.
It is important to take into account that each synthesizer has an auto-accompaniment control area. If you press the keys that go for this area, the device will not take them into account when constructing and processing the melody.
Independent training should not stop on the study of the theory. To apply knowledge, you need to practice a lot. For a better understanding, it is worth watching training videos and tables of rhythmic drawings.
Major sober set. For clarity, it is worth leading the scheme for which major gammas are built: tone-tone-halftone-tone-tone-halftone.
The distance between the nearest keys is called halftone. This is the interval between the white and black key or between two white, if there is no black. The tone consists of two halftones.
Using this information, you can make a major gamut in pictures, pushing out from any note, as well as pick up the corresponding chords.
Varieties of minor chords
Minor chords allow you to play lyrical, sad melody. It is impossible to base on the formula for constructing major gamps, since this scheme is suitable only for tonalities in kind. Minor gamma is not played in natural form. They are recorded by harmonic and melodic miners.
The harmonic minor is distinguished by increasing the seventh note to the Dieza. If you consider this on the example of Gamma La-Minor, the following is: La-Si-up-re-Mi-Fa-salt Diez. Two notes rises in the melodic minor: the sixth and seventh, but when moving, the dishes are canceled. It looks like this: La-Si-up-Ree-Fa Diez-salt Diez, and back - salt-fa-Mi-re-si.
Minor sounds are also based on the gamma. For example, the main note chord of Gamma La-Minor is "la." The third note from the main will be the second in the sober. In this case, it is "before." Two more from the second keys are counted. It will be the final sound. This is a note "mi". With the help of this scheme, all minor chords are being built. For example, in Gamme Re Minor, this is a re-phase, in the Gamme Mi-minor-Mi-Sol-Si.
You can learn to play minor sober on the tables in which the ready-made sounds are indicated. It remains only to remember them. However, it is better to understand the principle of building chords. Then in order to compose music, it will not be necessary to repel from the already existing sound.
Other options
There are other ways to diversify the game on the synthesizer.Consistent Accord
When using the arpeggio chord is not played, but overflow, that is, the keys are pressed sequentially. The most famous types of arpeggio: long, short and broken.
Long arpeggios are played like this: the main chords of the tonality are taken and there is continuously played upwards. To play correctly, you need to observe the same rhythm. It is also necessary to take into account the position of the fingers on the keyboard. The sequence for the right hand is as follows: a thumb-index-medium - repeat three times - a large-index-middle-little finger. For the left hand: a mysterious-anless-index-large-unnamed-index - large - repeat three times.
In general, long arpeggio represents alternately played with a small interval of truskia.
A distinctive feature of short arpeggio is the use of the main chord of the tonality. In La-Minor, this is a la-du, in the pre-major - up to Mi-salt and so on. The distance between the hands is missing. One hand "duplicates" notes played by the second. Position of the fingertips for the right hand: the first-second-third-fifth-first-second-fourth-fifth-first-second one-third-fifth. The cycle is then repeated four times. Left-hand fingers: the fifth-fourth-second-first-fifth-fifth-second-first-fifth-fourth-second-third and fifth. The cycle is repeated until the end of the octave.
In the broken arpeggio, the sequence of sober, that is, first the first note is played, then the third one, then the second one. For example, in D Major it will not be up to-Mi-salt, but to sol. The location of the fingers for both hands is identical to the location when playing short arpeggio.
For In order not to be tired when the game is arpeggio, you need to remember some nuances. The posture must be smooth. Feet firmly touching the floor. Shoulders and brushes are relaxed. Press the keys with the pads of the fingers.
Septakkorda
First you should figure out what septakord is. This is a chord consisting of four notes. The name is taken from the Latin "septime", since the interval between extreme notes is equal to seven keys. From a simple chord you can make septakord. This reception is called inversion. For example, the Spepkord of Gamma Si-Bembol Major is a diz-re-fa-salt Diez. The B7 or BB7 symbol is the designation of this chord.
Also from the chord of the gamma Mi-major Mi-Sol-Si, you can get septakord Mi-salt Diez-Si-re. Abbreviation of this sober - E7.
To learn it easier, it is worth listening to some recommendations.
- To push the feeling of rhythm, it is worth taking the basis of the song.
- First, you need to play slowly, otherwise there is a risk of getting confused.
- First play each hand separately. And only then connect.
- It is worth practicing with different techniques of the game, such as legato - smoothly and Stakkato - abruptly.
- It does not interfere with experiment and with the volume, using the technique of the game Piano - quiet, forte - loud, Kressendo is a smooth increase in sound, Diminuendo - sink.
- To relax your hand, there is a special exercise. Puting a hand on the keys, represent that the light bulb. This will help not bend the brush and prevents it from pressing it to the tool housing.
From many chords and their variations, first time can "go around" head. But, practicing with basic sober, through a small amount of time you can freely navigate the "sea" of sounds.
